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(no subject) [Dec. 13th, 2009|05:16 pm]
Modest Mouse - Satellite Skin
The White Stripes - Effect and Cause
Tool - The Pot
Halou - It Will All Make Sense in the Morning

I've been sneaking Photoshop onto other peoples' computers too, apparently to make animations of myself jumping around my office. (1, 2.)

The rest of the music, of which I only care to have a fraction with me in Mongolia )
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While I'm Still Ahead (2nd Ed.) [Apr. 1st, 2009|12:35 am]








After taking spring break off, I went back to work at the university cafeteria today. I had heard rumors that I would be moving up to doing kitchen-wide prep work, and sure enough, there was an empty station waiting for me when I arrived. There I work through my habitual single case of romaine heads, after which I'm brought a prep chart for the day:

3 cases lettuce chopped.
2 cases lettuce leaves.
2 cases cucumber halved.
2 cases cucumber sliced.
2 cases cherry tomatoes sliced.
1 case roma tomatoes sliced.

In addition, there's a second list, given to me verbally:

1 hotel pan green and red peppers, diced.
25 lbs onions diced.
30 lbs onions shredded.
2 cases grapes, vined.

Half of these procedures I haven't been taught to perform properly.

I'm working on my second case of chopped lettuce when the boss comes by. "Will, do you know what time it is?" I don't know. My station faces the barest wall in town. "You've been chopping lettuce since 9:00--" I started working at nine o'clock. "So, since 9:15? Well, it's been over an hour, and you're only on your second case." I remark on how much time I need to spend removing rotting spots from lettuce heads. "I was watching you, and you need to be faster, I know you can be." Sure. "You need to pick up the pace. And by the way, you need to see me for an evaluation today, so make sure you check in with me before you leave." You got it.

I stew, imagining that I have a "go faster" switch on my side that I've neglected to flip on out of ignorance. Only then, I realize that I actually can go much faster if I indiscriminately throw away lettuce leaes bearing any trace of rot. My production speed jumps, and my waste factor skyrockets.

Four hours and two cases of sliced cucumbers, a hotel pan of diced green and red peppers, and twenty-five pounds of diced onions later, and I wonder what's got me feeling stir crazy. I go on break and sit in the employee lounge reinventing my orange peeling method while most everyone else attends the new daily mandatory meeting. The office secretary walks in on me drawing and eating an apple, and she takes a look back at the filled meeting room. "Aren't you supposed to be in the meeting right now, Will?" Yeah, I should, I tell her as I stow away my sketchbook and hide in the dish room with my fellow dish man. I ask him what the hell's the meeting about, and he knows and cares about as much as I do. I toss my gnawed apple core and set up for a thirty-pound onion shredding experience, toting cutting boards and containers back and forth across the packed meeting room's solid glass wall. I can feel my superiors' glances and I don't give a shit. It's past 2:00 and no-one is fighting me over the chance to chop that sack of onions.

I'm leaning back from the countertop as halved onions bring tears to my eyes, when my boss walks up to my side. "Hey Will, you need to be at the CPM meeting tomorrow. Every day, 2:00, mandatory for all staff." I ask her what CPM stands for. "2:00, every day." Right, every day at 2:00. What does CPM means. "Culinary Planning Meeting." Arright. "And don't forget to see me before the end of the day, alright?" Absolutely not, I tell her retreating back. I wonder just how I meant that.

By the time I'm preparing leaf lettuce, my boss decides it's easier to directly bring me into her office for the evaluation. We're joined by the head chef and both his and my boss's managerial smiles, and I'm handed an evaluation sheet. I catch the words "struggle," "challenge," "sacrifice," and "concern" on it before my boss delivers an introductory speech that includes the debut of her first words of appreciation to me since I started working in October. She lauds the idea of getting some feedback from me, and flows right into an oral interpretation of my evaluation. Phrases like "zone out" and "get lost" from the written statements are interjected with more personal words of how much I've improved, how slow I am, how they want to keep me on staff, and how I am currently at a rating of needing improvement, and my next evaluation is in two months.

I'm confident that my boss is a good person. She seems nice enough, she probably has a healthy group of friends, but she has the managing skill of a martial government. I have the feeling that she could singlehandedly ruin a non-profit agency faster than a dead body and a money laundering scandal. The head chef is a good guy as well, and it shows in how much time he spends doing what all the other chefs do most often - cook, talk, complain, pee. He gives me some good advice in the evaluation meeting, but he and the boss are still coming short of my expectations.

"Now Will," my boss says, "This new role we have you in is pivotal to keeping the kitchen running, so we need you to get up to speed with it as soon as possible. You need to make sure you stay on top of your prep work so you can make some time to help get things done in the dish room."
My mind begins to wind up. My eyes widen and my eyebrows furrow to project that mixed feeling of shock and disbelief.
Wait, I interrupt my boss's lecture with. I'm supposed to be doing central prep and washing dishes at the same time?
"Well, you've improved your dishwashing to a good level, you just need to make time for it by improving your prepping speed."
Hey, I say in a firmer voice. Am I doing prep, or am I dishwashing?
"We need you to do both, but--"
I don't even know what I'm supposed to be doing out there. You guys didn't even tell me I was moving to prep today.
"We've had you doing more prep work lately because we need you out there. You just have to get better at focusing on your speed, you're smart enough."
Then why am I not meeting expectations?
"You just need some time to get better--"
You want me to work two jobs?

I realize I'm wearing my half apron, a standard and unnecessary article enforced by management and delivered to me via the other dish man when management was too chicken to speak to me directly about it. I fumble with the knot hidden under the apron, pull it loose and fold the apron in my arms.

I don't think I've got what it takes to work here, I tell them. You want that in writing?

I knot the apron's strings so they don't tangle in the wash, and toss the folded pile onto my boss's desk before going to empty my locker. I'm zipping up my hoodie as the head chef walks into the lounge, that look on his face like a kid who's dog just ran away. "Will. Hey, we need you, you can't get upset by this evaluation..." My face is solemn, but inside I feel giddy, since I've never quit a job before. I smirk when I tell him that hey, it's just too bad I wasn't a good match for the workplace. I tell him to have a good one. I walk out.


Epilogue/Prelude:

I spent a good fifteen minutes in the ground floor bathroom stall, half cooling down and collecting myself, and half abusing the abundant source of toilet paper in deference to the bought supply at home. I caught the buses home fast enough to break the joyous news to my roommate, who happened to have renegotiated the terms of his employment at his terrible workplace to allow him an extra two dollars an hour, in addition to getting Wednesdays off from now on. He congratulates me on my decision, and asks me if I have another job on the line. I tell him I'm thinking of getting a paper route, but mostly I've just made plans to shoot hoops in the back yard tonight. Maybe take a bath and get to rest early.

I might go work at a chemical plant - I've got connections there. Maybe I'll start working out and try dancing for that gay bar downtown. I prefer having options like these, compared to feeling abused and controlled by a job that works me like a slave and a dog. I feel more hopeful about the future, now that I have no job.
I don't know how that works, but it feels right.

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Some seagulls, some weather, and some disinterest. [Mar. 22nd, 2009|01:50 am]
Dumbassed seagull photos!

This week is spring break at the University. Me being an employee of the residence hall cafeteria, I get the week off as well - I graduated college and I'm still getting school vacation. I get all the breaks.

What kills me, what makes me want to leave it all for good, is the advertising. Livejournal barrages guests with advertisements, not to mention those damned snapshot links I thought I'd never see outside public tech support forums. Deviantart assumes that the unsubscribed need as many reminders as possible that a little money removes a lot of ads and adds a load of features. Photobucket, by it's very nature already clogged with graphics, can't resist placing obnoxious video advertisements up and down the page. And I don't have to use Facebook much to remember how annoying personalized advertisements can be. It's flashy. It's commonly more psychologically compelling than the website's content itself. It's why I stopped watching television, why I never read the newspaper, why I am not driven to watch movies unless someone physically drives me to the theater.

If I am a superhero, then consumer culture is my kryptonite. Being exposed to loud, punchy, shamelessly manipulative advertisements can easily be too much for me. A lot of work goes into making them effectively play on consumers' interests, curiousity, desires, even basic needs. They play with the human mind and they are after one thing. I do all I can to avoid it. It gets hard to separate what I want from what I need, from what I can't afford to want. The worst part is that I can't even singularly hate it. A lot of intelligent, creative people worked hard to do such brilliant work. I recognize that simultaneously with admiration and disgust. So I must avoid it.

Too bad these places, in their uncluttered and honest beginnings, connected me with a few people I still like to keep tabs on.

I wonder if I wouldn't mind all the advertising, if I could ignore it all better if I benefited more from the internet. If I made money on Deviantart and hooked up with cool people on Facebook, would I be too wrapped up in the sites' content to be directing all my irritation towards the little pictures on the side of the pages? Probably. It'd be something like a fair exchange if I utilized their services more advantageously.

Alternate reality being the tail-eating metaphilosophical quandary it is, I am ending this one-sided discussion with a cheap conclusion. That is my conclusion.
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Hallucinations! (2nd Ed.) [Mar. 10th, 2009|09:45 pm]
(I need to make sure I got the verb tense consistent next time I go through this.)

About 40 minutes into A Clockwork Orange, I could tell I was coming up, but I was mostly just getting tired of holding my head up to see the monitor from my bed. I got tired of that fast, ditching the movie in favor of trying to put on some soothing music.

I withdrew under my bed blanket as Jack Johnson played all melancholy and tinny out of my headphones. I was uncomfortable in body and increasingly confused in mind as I felt my face, the skin feeling slightly asleep and feverish.

Then I'm somewhere, doing something. I'm quickly back under the blanket, pawing at the cover over my head in bewilderment and amusement. I'm off somewhere else, in the middle of some task like I just slipped into someone else's life. Then I'm back under the blanket, wondering what the hell I was just doing. I'm off again, sitting in a chair on a patio next to a grill. There's some people sitting around in chairs, a black guy nearest to me. They're all looking into the faded white distance.

I'm in bed, I'm in my mind, I'm under the blanket, I'm hallucinating in frame-by-frame spliced clips of places I've never been. They cease as a more prominent thought emerges in the forefront of my conscious: I don't feel so premium. I throw the cover off my upper body and the trapped heat bursts into the cool bedroom air, leaving my skin radiating warmth. My stomach begins to churn, and once I prop myself up on my elbow, I'm wishing I was back in the feel-good whirlwind of hallucination. "I'm probably going to puke soon," I think, "I'd better get up." Sitting upright makes my abdomen tight like an implosion waiting to happen. I realize the inevitable and remember to grab my camera, because I've always wanted to try getting a photo of this. Unfortunately, I have just enough time to dash to the sink outside my room before I expel that delicious pear and almond snack I had before I started the movie. I turn on the camera, vomit again, take a photo, and lose a final bite or two get a third photo in. My stomach loosens, and I turn the camera toward myself for a glamour shot, but I feel very strongly against looking into the camera flash, so I cover my eyes and shoot. Within moments, my body feels immensely better. In fact, I feel light and agile! Though a little unsteady, I dance between my room, the sink, and upstairs as I unclog the sink with bleach and vinegar. I am apparently clearheaded enough, but as I download the photos to my computer and work on them, I keep having momentary lapses of thought, and I realize I can't think in great depth.

I go back out to the sink to check my face in the mirror, expecting the face looking back at me to be one of dimwittedness, the half-retarded face of lifelong crackheads and PCP junkies that lost their highest brain functions back in the void. I was frightened I'd caused myself brain damage with the fever and drugs, but the impairment lightened up by the time I was ready to go to bed.

When I woke up the next morning, I felt fine. No comedown, probably because I vomited up all the demon chemicals. Honestly, though. If I wanted micro-trips, I'd try staying awake for a couple days straight. If I wanted to vomit, I'd drink too much ipecac. I don't think of the experience as negative, since the high was fun, the repercussions were minimal, and I got the sink unclogged. Frankly, I love the photo I took, so I'm really glad I did it.
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What Makes Me Unique [Feb. 24th, 2009|03:45 am]
My first response had nothing to do with uniqueness. I devoted three paragraphs to illustrating the diametric opposition of my thoughts and behavior before I realized I had yet to mention anything about me that was novel. A fourth paragraph admitted that in all probability, I shared my exact mindset with at least one other living person. My answer in itself may have been unique, but I had yet to provide concrete evidence that I was unique in any way. At that point, I lost sight of the goal I hadn't made progress toward since the beginning.

How can one truly justify their uniqueness without some degree of ignorance? To discount six millennium of recorded history impossible to comprehend in entirety is to leave the possibility that there has been someone who thought the same thing. The true uniqueness lies in the difference of space and time between the two justifications. However, taking into account only two identical explanations for uniqueness, physical and chronological distance is irrelevant.

At this point, I've started my fifth first draft, still not discussing my uniqueness - instead, I am compelled to clarify the definition of uniqueness itself. Is it to be measured in amount, or presence alone? Tackling the concept of uniqueness itself is possible from the perspective that there is only circumstantial evidence for the existence of uniqueness, and a quantifiable amount of counterarguments in relation to the number of ways uniqueness can be asserted.

For someone needing an answer, I think that's good enough. For someone like myself who is permanently in thinking mode, I won't be satisfied until I hit on something linguistically attractive. It's not enough to state that I am lacking hard evidence of any originality, because my being is unique in itself. Even if everything taking place within the scope of my existence is sharing a commonality with the realities of everyone else in my existence, my effect on reality is singularly identifiable. The greatest impact of my life would be the most apparent aspect of who I am, therefore the greatest symbol of my uniqueness.

"The impact of my life upon every other person it has touched has already rippled through and beyond all of the people I have ever met. By leading a lifestyle so positive that it has brought me into contact with groups of others whose lives we mutually enriched. I have saved lives from waste, from despair. I have saved lives."


Wait, aren't a lot of people responsible for saving a life or two? How about them heart surgeons? No, my problem is that I'm way too divergent in my lines of thought to so easily focus on one goal: To write an appealing, believable and effective appeal to an inherently vague and difficult question. Which I think I did back there a few lines.

But yeah, c'mon. Really, you guys get caught up in these things all the time, right?


(The Unwinding Cable Car, Blame It on the Tetons)
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Memory Backup (3rd ed.) [Jan. 12th, 2009|02:10 am]
A small memory I want to preserve. )
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Like James and the Giant Peach, only Not Really (1st ed.) [Dec. 4th, 2008|10:25 pm]
I don't know how I came to be )
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